She was not so stupid as not to see that something, though she scarcely knew what, was expected of her that she couldn't give; and the only mode her intelligence suggested of meeting the expectation was to plant her big feet and pull another way. Mrs. Gereth wanted her to rise, somehow or somewhere, and was prepared to hate her if she didn't: very well, she couldn't, she wouldn't rise; she already moved at the altitude that suited her, and was able to see that, since she was exposed to the hatred, she might at least enjoy the calm. The smallest trouble, for a girl with no nonsense about her, was to earn what she incurred; so that, a dim instinct teaching her she would earn it best by not being effusive, and combining with the conviction that she now held Owen, and therefore the place, she had the pleasure of her honesty as well as of her security. Didn't her very honesty lead her to be belligerently blank about Poynton, inasmuch as it was just Poynton that was forced upon her as a subject for effusiveness? Such subjects, to Mona Brigstock, had an air almost of indecency, and the house became uncanny to her through such an appeal—an appeal that, somewhere in the twilight of her being, as Fleda was sure, she thanked heaven she was the girl stiffly to draw back from. She was a person whom pressure at a given point infallibly caused to expand in the wrong place instead of, as it is usually administered in the hope of doing, the right one. Her mother, to make up for this, broke out universally, pronounced everything "most striking," and was visibly happy that Owen's captor should be so far on the way to strike: but she jarred upon Mrs. Gereth by her formula of admiration, which was that anything she looked at was "in the style" of something else. This was to show how much she had seen, but it only showed she had seen nothing; everything at Poynton was in the style of Poynton, and poor Mrs. Brigstock, who at least was determined to rise, and had brought with her a trophy of her journey, a "lady's magazine" purchased at the station, a horrible thing with patterns for antimacassars, which, as it was quite new, the first number, and seemed so clever, she kindly offered to leave for the house, was in the style of a vulgar old woman who wore silver jewelry and tried to pass off a gross avidity as a sense of the beautiful. Mrs. Gereth's rejoinder too hung back; then when it came—from sad eyes as well as from lips barely moved—it was unexpectedly merciful. "It will be very hard." That was all, now; and it was poignantly simple. The train Fleda was to take had drawn up; the girl kissed her as if in farewell. Mrs. Gereth submitted, then after a little brought out: "If we have lost—"!

"Distinctly with the threat of enforcement—what would be called, I suppose, coercion." "But why on earth?" Mrs. Gereth's sad eyes were fixed on her.

"We're together, we're together," Mrs. Gereth lifelessly repeated. "That's all we are now; it's all we have." The words brought to Fleda a sudden vision of the empty little house at Ricks; such a vision might also have been what her companion found in the face of the stopped Dutch clock. Yet with this it was clear that she would now show no bitterness: she had done with that, had given the last drop to those horrible hours in London. No passion even was left to her, and her forbearance only added to the force with which she represented the final vanity of everything. Fleda had accomplished her search; her interlocutress paused. "If Mona has got him?" the girl inquired, tightening the umbrella. "Everything?" Fleda quavered.